The African-American singer and dancer was the toast of Paris when French intelligence asked her to spy on the Axis. It became one of her greatest performances.
By Meredith Hindley
In the fall of 1939, Josephine Baker stepped onto a stage
unlike any other she’d graced in her sizzling career. Hoping to improve
the morale of the troops who manned the Maginot Line, the massive
defensive structure that guarded France’s eastern border, the French
high command had asked her to perform a series of shows. The bunkers and
barracks were a far cry from the blazing lights of Paris’s
Folies-Bergère or the Casino de Paris where Baker dazzled audiences with
her graceful dancing, comedic timing, and barely-there costumes. Her
shows gave the troops a reprieve from watching the German border and
wondering when the Wehrmacht might strike. Instead, the men hooted and
hollered as the 33-year old Baker sang and slinked her way through a
series of French chansons.
Maurice Chevalier, who had
made a career of musical comedy in Paris and Hollywood, joined Baker on
the tour. The fifty-something Chevalier, sporting his trademark straw
hat, insisted on going second, intending to finish the show in grand
style. He didn’t count on Baker’s receiving calls for encore after
encore, cutting into his performance time.
The soldiers responded to Baker the same way Paris had ever since the
ambitious African-American girl from St. Louis charmed the city with her
comedic sensuality. After a hardscrabble childhood in St. Louis, Baker
found her way to headline La revue nègre at the Théâtre des
Champs-Élysées in 1925. The daring show, which featured Baker dancing in
nothing but a feather skirt, set Paris talking—and it hadn’t stopped
since. Parisian society also welcomed Baker, giving her a level of
freedom and acclaim that her country of birth could barely imagine, let
alone offer. She embraced it all: the men, the jewelry, the clothes, the
grand houses. She sauntered down the Champs-Élysées with her pet
cheetah on a leash. She even gave product endorsements. When
Casablancans opened their newspapers and magazines, they saw ads for
Bakerfix, a crème “to keep your hair supple, brilliant, and in place,”
available at Casablanca’s finer salons.
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Source: The Daily Beast
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