In an era of social media and fake news, journalists who have survived the print plunge have new foes to face.
By Jill Lepore
he wood-panelled tailgate of the 1972 Oldsmobile station wagon dangled
open like a broken jaw, making a wobbly bench on which four kids could
sit, eight legs swinging. Every Sunday morning, long before dawn, we’d
get yanked out of bed to stuff the car’s way-back with stacks of
twine-tied newspapers, clamber onto the tailgate, cut the twine with my
mother’s sewing scissors, and ride around town, bouncing along on that
bench, while my father shouted out orders from the driver’s seat. “Watch
out for the dog!” he’d holler between draws on his pipe. “Inside the
screen door!” “Mailbox!” As the car crept along, never stopping, we’d
each grab a paper and dash in the dark across icy driveways or dew-drunk
grass, crashing, seasonally, into unexpected snowmen. “Back porch!”
“Money under the mat!” He kept a list, scrawled on the back of an
envelope, taped to the dashboard: the Accounts. “They owe three weeks!”
He didn’t need to remind us. We knew each Doberman and every debt. We’d
deliver our papers—Worcester Sunday Telegrams—and then run back to the car and scramble onto the tailgate, dropping the coins we’d collected into empty Briggs tobacco tins as we bumped along to the next turn, the newspaper route our Sabbath.
The Worcester Sunday Telegram
was founded in 1884, when a telegram meant something fast. Two years
later, it became a daily. It was never a great paper but it was always a
pretty good paper: useful, gossipy, and resolute. It cultivated talent.
The poet Stanley Kunitz was a staff writer for the Telegram in the nineteen-twenties. The New York Times
reporter Douglas Kneeland, who covered Kent State and Charles Manson,
began his career there in the nineteen-fifties. Joe McGinniss reported
for the Telegram in the nineteen-sixties before
writing “The Selling of the President.” From bushy-bearded
nineteenth-century politicians to baby-faced George W. Bush, the paper
was steadfastly Republican, if mainly concerned with scandals and
mustachioed villains close to home: overdue repairs to the main branch
of the public library, police raids on illegal betting establishments—“Worcester Dog Chases Worcester Cat Over Worcester Fence,”
as the old Washington press-corps joke about a typical headline in a
local paper goes. Its pages rolled off giant, thrumming presses in a
four-story building that overlooked City Hall the way every city paper
used to look out over every city hall, the Bat-Signal over Gotham.
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Source: The New Yorker
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